Matthew Bourne, artistic director of New Adventures Dance Theatre Company, is known for his ground-breaking shows in the world of interpretive dance, be it his sexy '60s romp Play Without Words, the dancing male swan ensemble in Tchaikovsky's Swan Lake, or his timely adaptation of Oscar Wilde's Dorian Gray. After a world tour through the US and Australia, Edward Scissorhands is returning to its home stage at London's Sadler's Wells Theatre for those who want to see it again just in time for the holidays.
It seems only natural that Bourne, with his unconventional style and razor-sharp vision, could successfully adapt and enrich Tim Burton's story, creating another "play without words", including a would-be-lovers' romantic pas-de-deux sans scissors.
The story of Edward Scissorhands is a cautionary tale.
Once upon a time, there was a man with a sugar-cookie heart, a wonderfully strange and wide-eyed creature who lived alone in a gothic, gloomy castle at the end of candy-coloured suburbia on top of a hill. Then one day, Avon representative Peg Boggs came to call upon him, and everything in Edward’s innocent isolated world instantly transformed into a pastel sojourn of discovery, acceptance, betrayal, love, and the ultimate heartbreak.
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